Charlie Lee Byrd (September 16, 1925 – December 2, 1999) was an American jazz guitarist. Byrd was best known for his association with Brazilian music, ...
Charlie Byrd
American jazz guitarist
Charlie Lee Byrd was an American jazz guitarist. Byrd was best known for his association with Brazilian music, especially bossa nova. In 1962, he collaborated with Stan Getz on the album Jazz Samba, a recording which brought bossa nova into the... Wikipedia
Born: September 16, 1925, Suffolk, VA
Died: December 2, 1999 (age 74 years), Annapolis, MD
Genres: Jazz and Regional Brazilian
Music group: Great Guitars
Spouse: Maggie Byrd
Songs
Samba Triste
Desafinado
Undecided
Samba De Uma Nota So
O pato
Chega De Saudade
Jazz 'n' Samba
Tambu
Swing 59
The Girl From Ipanema
Speak Low
Coisa Mais Linda
Yvone
Bamba Samba Bossa Nova
Ela Me Deixou
Brazilian Soul
Favela
One Note Samba
That Old Devil Called Love
Someone to Light Up My Life
Tabu
Meditacao
A Man And A Woman
Nice Work If You Can Get It
Desafinada
Meditação
This Can't Be Love
It's a Wonderful World
Samba de Orpheus
Crystal Silence
Oh, Lady Be Good
El catire
Albums
Show more
Show less
People also ask
What happened to Charlie Byrd?
What kind of guitar did Charlie Byrd play?
Dec 11, 2022 · Charlie Byrd played jazz on a nylon-string guitar and was heavily influenced by and popularized Brazilian styles. But he's not attempting to ...
Charlie Byrd was born in 1925 just outside of Suffolk, Virginia. His father was a guitarist, and began teaching his son the fundamentals of guitar when he ...
Jazz musician Charlie Byrd's bio, concert & touring information, albums, reviews, videos, photos and more.
Listen to Charlie Byrd on Spotify. Artist · 463.9K monthly listeners.
American jazz guitarist best known for his take on Brazilian music, especially the Bossa Nova genre. Born : September 16, 1925 in Suffolk, Virginia.
Charlie Byrd ... Classically trained jazz guitarist who helped to popularize bossa nova in the U.S.. Read Full Biography. Active. 1950s ...
Jazz composer and guitarist, noted for using his fingers in the classical style, rather than a flat pick in the typical jazz style, to play his instrument.