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Antonio JacobsenPortrait Of The Steam/Sail Ship The Prins Frederik Hendrik1896
1896
About the Item
This oil is a classic example of Jacobsen's work from his best period done way before 1900. In these oils the water is done with great sense of naturalism, due to his constant experiences at the harbors in New York and New Jersey. It is his best work when the sails are up and the steam stacks are in full blast. An unusual note is that this painting is on its original canvas and is in extraordinary condition. Most Jacobsens have endured rounds of restoration which makes this painting's condition special.
This was a commissioned piece from the Captain of the flagship, Prince Frederik Hendrick, a great king during the Dutch golden age in the 17th century. The Captain was very proud of this vessel, and upon the safe entrance into the New York port, hired Jacobsen to commemorate this voyage.
- Creator:Antonio Jacobsen (1850 - 1921, American)
- Creation Year:1896
- Dimensions:Height: 26 in (66.04 cm)Width: 40 in (101.6 cm)
- More Editions & Sizes:26 x 40Price: $19,500
- Medium:
- Period:
- Condition:
- Gallery Location:Jacksonville, FL
- Reference Number:1stDibs: LU2595214031512
Antonio Jacobsen
Antonio Jacobsen was a Danish-born American maritime artist known as the Audubon of Steam Vessels. Jacobsen's Painted Ships on Painted Oceans, includes some 100 color pictures of the artist's ship paintings. The public rooms of The Griswold Inn in Essex, Connecticut, the oldest continuously run tavern in the United States, features the largest privately held collection of Jacobsen's paintings. John McMullen, a naval architect and marine engineer, had a collection that included 75 paintings by Jacobsen, the first two of which were found in the 1940s in the offices of the family ship repair business. On February 19, 2006, Fetching The Mark, an unsigned painting of the racing yacht Dreadnought attributed to Jacobsen, was sold at auction for $281,000, more than triple the highest price previously paid for one of Jacobsen's works. The piece had been brought to an Antiques RoadShow event in Tampa, Florida, and had originally been thought to be a work of Jacobsen's contemporary James E. Buttersworth, until further research led to a conclusion that it was by Jacobsen.
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