The Best Examples of the Saab 9-3 Viggen Are Accelerating in Value
1999-’02 Saab 9-3 Viggen
04/12/2022
The recent, record-breaking $55,000 auction sale of a 1990 900 Turbo SPG set the Saab community on its collective ear. It seems serious collectors are waking up to the unique appeal of Saab’s turbocharged flagship sports models. The last Saab to follow in the SPG’s front-wheel-drive tire tracks was the 155-mph 9-3 Viggen, and top-condition examples of the coupe, five-door, and convertible are handily besting book values and trading hands at auction for healthy sums.
Representing "born from jets" years before this tagline appeared, the high-performance original-generation 9-3 Viggen took its name–"thunderbolt" in Swedish—from the Saab Aerospace 37 jet fighter. It was a collaboration of Saab Cars’ Special Vehicle Operations branch and TWR that was built by Valmet (home to Saab convertible production) in Finland. The manual-only 9-3 Viggen was reengineered with additional power from a larger, 2.3-liter four huffing 20-psi of turbo boost; it received upgraded suspension, brakes, and wheels, bolstered seating, and an aerodynamically functional body kit.
The Viggen was introduced as a three-door coupe, with convertible and five-door body styles following. This model’s launch color, Lightning Blue, was its trademark hue, used on all but six cars imported to the U.S. in 1999; Black, Monte Carlo Yellow, Silver, Laser Red, and Steel Grey were also sold here through the end of the run in 2002. While more accessible than the BMW M3 it was intended to battle, this Saab wasn’t cheap: its $37,995 MSRP is roughly equivalent to $63,580 in today’s dollars, while the 2002 Viggen convertible’s $44,995 is akin to $69,730 now.
Their inherent Saab practicality meant many were simply used as every day, four-season drivers, then sold on as used cars; this was especially true for hatchback models, which accounted for 1,641 of the 2,954 examples imported. Consumer value guides like NADA and KBB do list Viggens, but price them like standard 9-3s with values ranging between $2,000 and $5,500. Collector-quality Viggens are a different story, as Saab Club of North America board member and 2001 five-door Viggen owner Jim Hickstein explains. "The good examples are going up and the bad examples are going down; the middle ones have turned into bad ones and ended up in junkyards. Of the remaining Viggens, the stock ones are higher and the modified are lower. Modified cars take a 20-25-percent discount. To get top dollar—above $30,000, now—it would have to be completely original, with fewer than 50,000 miles, never seen rain, and still on unbent factory wheels.
"The most desirable on the market is the Lightning Blue’99 three-door; Laser Red and Monte Carlo Yellow follow closely," Jim continues. "The convertibles are like a whole separate market, though—they have strong pricing because they’re typically lower mileage, since many were bought as toys." Considering Saab production ended in 2011 and attrition continues to take its toll, we asked him if the dwindling numbers might cause a spike in values. "Saab was a niche and remains a niche. We’ll probably never see a $100,000 Saab, it’s just not desirable to a broad swath of people. Really, they’re a bargain, and as soon as you drive one and you feel that midrange torque, you get hooked."
For dyed-in-the-wool automotive enthusiasts, few things are more enjoyable than taking in a car show, and few car shows have glitz and glamour comparable to New York City's annual New York International Auto Show. Your author took advantage of a media-access day last week to take in all the shiny sheetmetal (and aluminum and fiberglass and carbon fiber and...) that filled the Jacob K. Javits Center for the 2024 NYIAS, which is running through Sunday, April 7. There were a surprising number of desirable older vehicles on display around this facility, but of course the point of this event is for automakers to show off their newest offerings.
The Ford stand welcomes attendees to the Javits Center.Photography by Mark J. McCourt
Having been a regular attendee of the NYIAS since 1990, I have witnessed how automaker attendance has fallen, especially since the pandemic cast new light on financial expenditures. The companies that still attend do their best to catch the attention (and hopefully dollars) of showgoers by engaging them in new ways, like the EV-driving circuits on the Level 3 (main) and Level 1 (basement) floors, the Jeep and Ford Bronco adventure-ride tracks outside, the rally driving simulators and dog adoption area in the Subaru stand, the radio-controlled car racing seats in the Volkswagen stand, and the the sports complex (!) in the Toyota stand.
Think you're the next Colin McRae? Try your hand at rally driving in one of the Subaru stand's simulators.Photography by Mark J. McCourt
I took photos of some of the more interesting cars on display on Level 3, paying special attention to the number equipped with manual-transmissions: Toyota is showing 3 (GR Supra, GR Corolla, GR86), Subaru 2 (WRX, BRZ), Ford 2 (Mustang Dark Horse and Mustang GT), aannddddd... that's it! Sadly, just the way of the world today.
Being the sentimental sort, I pulled out my 1994 photo album to remember what cars were new and exciting 30 years ago at the New York International Auto Show. Some of those grainy 35-mm snapshot photos are reproduced here for your entertainment. One thing I found amusing: Volkswagen displayed an air-cooled Type 1, a.k.a. Bug, on its main stand, both this year and back in '94!
Editor's note: Evan Acuna wrote this piece for the April-June 2024 issue of 9s, the publication of the Saab Club of North America; it's reproduced here with permission.
Two years ago, a lovingly crafted new art film from Japan was released with the English title Drive My Car, which brought the classic Saab 900 Turbo back to the big screen in a big way. A profound film, Drive My Car won a number of prestigious awards, including the 2022 Oscar for Best International Feature Film.
Drive My Car took as its basis a short story by Japanese author Haruki Murakami. The irony of a three-hour-long film based on a short story is hard to ignore. But what is a short story if not a vignette crafted to hint at a world much larger than itself? Good short stories are all mood. They aren't, like novels, universes unto themselves, but rather more like parables that take you by the hand and then drop you off at the curb to come to your own conclusions. And that's where Drive My Car, despite its length, shows its genetic roots in the short story medium.
The film is a unique, enchanting, and introspective journey into the nature of relationships, family life, and the self. On its face, it is a story about a man who loses his young daughter and his wife -all the family he has- and very nearly loses himself to a demanding acting career. After joining an artists' retreat program to concentrate on his work, he is told that for insurance reasons he will be assigned a chauffeur to drive his car for the duration of his stay. He initially chafes at this idea, but the young woman chosen for the job quickly proves herself a highly skilled pilot of his cherished Saab 900. He and the chauffeur -who is about the age the protagonist's daughter would have been had she lived, and who herself has no remaining family- begin a nuanced and inspiring relationship as they learn that blood and marriage are not the only routes to family.
Against this delicate and pained backdrop, Drive My Car is also a good, old-fashioned road trip story, with the Saab firmly included as a lead character whose presence is as integral to the production as that of the lead actors'.
Courtesy of Culture Entertainment and Bitters End
One of the most poignant sections of the movie involves a long trip to the chauffeur's hometown, replete with the in-turns expansive and intimate cinematography that makes for an authentic reproduction of life on the road. The film juxtaposes scenes of the red Saab cutting through the austere and snowy beauty of the Japanese countryside against minute portraits of the two passengers as they strain to stay awake. Omnipresent road noise and interior clatter, along with that distinct burble of the Turbo's exhaust, provide an encapsulating and -to us enthusiasts- more genuinely emotional soundtrack than the typical overproduced film score.
The sounds of the doors opening and closing, the turn signals, the shifting of gears (albeit within an automatic transmission)- I had a grateful sense throughout the film that the director was, perhaps unintentionally, preserving a small piece of history by providing such a detailed and thorough account of living with a Saab 900. The textures of the interior materials and exterior finish, the reflections of sunshine and duller light off the three-door shape, the way city lights twinkle beyond the curved windshield- all the subtleties of driving one of these remarkable vehicles in a film that is, after all, about people, not about cars.
This 1990 Saab 900 Turbo SPG, visually similar to the model used in the film, was once part of the General Motors Heritage Collection.
Photography by Mark J. McCourt
The film is long and has plenty of space to develop a labyrinthine plot. But it doesn't. Rather, like in fine literature, the focus is on developing the characters. Viewing the Saab 900 under a microscope makes sense in this context. But again the question of why the 900? Rarity isn't sufficient; there are plenty of rare cars, many much rarer. Nor is it idiosyncrasy. The producers could have cast a Citroën DS or NSU Ro80.
It's speculation on my part, but I think the Saab simply has an authenticity and purity -a sense of human-like virtue and honesty- that is unmatched by any other car that comes to mind. The 900 is a car that is imperfect in concept and execution, yet has the dignity and self-assuredness to know that it has at least tried its best to provide an ideal balance of functionality and performance. It is, perhaps above all else, remarkably individual.
For its time, there was no better combination of passive safety, dry road handling, poor weather traction, interior comfort, fuel efficiency, and outward visibility. Its design -as with all good designs- was controversial and too avant-garde for many mainstream purchasers when new, but has weathered time better than most any contemporary.
Photography by Mark J. McCourt